Part 80: Episode 6: Part 21: Shadow Swords.
Episode 6: Part 21: Shadow Swords.
This painting has no description but is almost certainly for the falling through rings minigame. Why that deserves a painting, I have no idea.

That's for roleplaying Kura in Kavax's little grudge match.

And the barrucha cavern. You also may have noticed the new door.

Here's Midian's ultimate Blade.
I didn't talk about the Supreme Blade. It has the same attack power as the Wave Blade (IE. 0 boost to Midians attack power), but it has all but the Trascendental attributes and sub-attributes attached, making it great for getting around resistances. Also it hits everything like the Wave Blade, and costs 1 XL to attack.
The Twilight Blade increases Midian's attack by 20, and has the same attributes and XL cost as the Supreme Blade... but it DOUBLE HITS, which causes Midian's damage output to overtake even Lexus' monstrously high stats.

Meanwhile the power of Sacrifa being able to boost our defenses against everything except Weapon auras isn't to be understated.
Now, the main story!

https://www.youtube.com/watch?v=tt31v6WIutk


We're so strong now we can just mindlessly spam attack on all the encounters here. But that'd take too long.

And here we can see the beginning of the path that lead to Lexus.

Yawn.

There's a bunch of doors locked from the inside here. You can see chests behind some of them too.

Teleporters take us to a couple different areas. They could actually be thought more as different floors despite being on one map.



And a few doors are locked by coloured locks.

This is the closest thing to a dangerous mook fight here and only cos the Sloms have a hit all attack that can stun.

Oh, Lun...





So on the highest floor we find a way to jump down behind one of the locked doors.

Use the Green key here...











You get the idea, I hope.


The last fall is the longest by far, as we fall to a completely new area.



There she is!

Wagh!

Something the game didn't tell us is that Midian learnt Apocalypse. Anyway, this boss is an absolute cinch at this point. The worst thing he can do is blind everyone. Besides that, it's like fighting a very durable mook.
When we win the fight, the music stops.

The woman backs away as we approach.

She never had a faceset before. She's never had a name either. This whole sequence, she's just referred to as Lady in the script.




Just kill me. I'm not afraid anymore. I've been afraid for too long.

I came after you because I was hoping you could tell me everything you know about Shadow Swords.





https://youtu.be/CeBD4ZrJf8E
An original track by Lun. No one had uploaded it anywhere, and I decided to do it for this specific track, because it's a real moodsetter. Also the name of it...
Despite its name this is the only time in the series it has been used thus far, maybe even the only time ever, I think.

"I would guess that it has been in his possession for the last few hundred years."



Those who possess them do not age physically.






Full, powerful auras that give the wielder of the sword incredible abilities.






Sometimes they like to be used to kill, but other times they don't.





The bonds become stronger and more intertwined the longer they remain.
However, as the sword absorbs other auras, it binds itself to them as well.
These connections are very weak compared to the connections made with the original aura, but as more and more of them are made, the original/dominant aura's power begins to erode.
After a certain limit the original aura's bonds to its soul and body are suddenly snapped and the other auras rush into the opening.
The soul and body desperately begin to form new connections with the chaotic mass of invading auras which ends up driving the wielder into a state of multiple personality, suicidal madness.
It's only a matter of time after this occurs that the wielder then kills themself, dispersing the auras and destroying the connections made to them by the Shadow Sword.



He spent decades researching and examining the problem trying to find some solution.
To a degree, he even succeeded in doing so...
Kalmar. She's talking about Kalmar and Ghost Horror, in all likelihood... And she is almost certainly Traziun's mother.












There could be a big fat rat in there, dressed in a clown suit, juggling a dozen kiwis while wearing a blindfold...





And while it seems to rot just like all the other buildings, it somehow manages to stand in place day after day.
It's not to be meddled with.

Wow GREAT argument.

Sacrifa finally lets slip that it's not just about escaping The City for him.



And Midian lets it slip that he's not just tagging along for the sake of it, despite presenting it like that...





There is a door in the Lost City that can only be opened with this key.
That door leads to an old mining facility whose shafts reach deep into the Pits.
You should be able to go under the shielding aura if you go deep enough.
Be careful though, for many dark things lurk in the deepest depths of the Pits.
Some even tell of a great beast that is anchored to the base of the tower, tens of thousands of steps below the surface.


And with that, we abruptly find ourselves back in the House of Pnoe storeroom. Looks like we learned a lot though and we have our way to the tower. Through the blackest reaches of the Pits.
the end